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Independent Film Company/Shudder(SeaPRwire) -   Who would have thought to reboot Faces of Death? While it's technically a horror franchise, with eight installments released between 1978 and 1999, all direct-to-video, the series isn't known for its characters, lore, or special effects. Faces of Death is essentially a bizarre oddity, an American take on Italian "Mondo" films that blurred the lines between documentary and exploitation cinema in the 1960s and '70s.At its core, it's a compilation of clips, linked by a narrator claiming the footage is real (which it wasn't, but we'll address that later). It lacks artistic merit, instead presenting a parade of footage supposedly depicting real deaths from alligators, car crashes, electric chairs, bullets, and a particularly gruesome parachute accident. These are interspersed with interviews with medical examiners and hitmen who deal with death regularly.You might be thinking, "So what? I can watch strangers die online for free every day." This very sentiment is the driving force behind this new, fictionalized interpretation of the series. It's reimagined as a commentary on how constant access to video evidence of humanity's worst impulses is degrading the fabric of American society. The film's approach to this theme is predictable: Barbie Ferreira stars as Margot, a young woman working a dead-end job as a content moderator for Kino, a YouTube-like platform. (It's worth noting this film was shot in 2023, predating other films like American Sweatshop and Red Rooms that explore similar themes.)Early scenes of Margot at work expose the hypocrisy and insincerity of these platforms' "community standards." For instance, she removes an explainer on how to use Narcan, citing it as "promoting drug use," while retaining a graphic beheading video because, according to her employers, all violence is considered fake until proven otherwise.Barbie Ferreira sees something she can’t unsee in Faces of Death. | Indepedent Film Company/ShudderConveniently for her indifferent boss Josh (Jermaine Fowler) — who also chooses to ignore employees getting high and hooking up during breaks as a coping mechanism — proving the authenticity of anything online is incredibly difficult. Nevertheless, for reasons that become apparent throughout the film, Margot feels a moral obligation to investigate a series of videos that appear disturbingly real. She suspects they are snuff films, a suspicion echoed by Reddit commenters who note their striking resemblance to segments from the original Faces of Death.The discussions about what "Faces" was and how it operated are the most awkward parts of the new Faces of Death. Margot’s horror-fan roommate describes it as "the first viral video before the internet," which isn't entirely inaccurate. However, this discomfort is brief, as the screenwriters Daniel Goldhaber (who also directs) and Isa Mazzei fulfill their franchise obligations before returning to their primary objective: creating a modern exploitation horror film that explores how the internet has led a significant portion of the global population to dehumanize others.This phenomenon is evident in online "NPC" discourse and in the film itself. A character escaping from a villain's torture den, a nondescript McMansion, runs to a mother and her children walking to their car, pleading for help. She is bloody, out of breath, and clearly in distress. In a normal society, they would offer assistance, but in Faces of Death, they drive away without her. The police are also depicted as ineffective, mirroring their portrayal in real life; authority figures in general are portrayed as lazy and apathetic, as desensitized as Margot’s coworker Gabby (Charli XCX), who laughs at gore videos while vaping.Aside from Margot, the only character who appears to care about anything in Faces of Death is the villain, Arthur Spevak (Dacre Montgomery). He approaches his gruesome "work" with the dedication and precision of an artist. Montgomery's performance is a blend of classic serial killer archetypes, seemingly drawing inspiration from Ted Levine in Silence of the Lambs and Tom Noonan in Manhunter, particularly evident when he wears pantyhose on his head in certain scenes. Red contact lenses and a blank, featureless white mask contribute to his unsettling appearance. As Faces of Death intensifies in its final half-hour, Montgomery's pursuit of Ferreira through his eerily deserted subdivision is appropriately tense and menacing.It’s not a snuff movie, it just looks like one. | Independent Film Company/ShudderFor dedicated exploitation film enthusiasts, the most striking aspect of Faces of Death isn't its bleak, cynical outlook or its re-enactments of what were presented as real murders in the original VHS. It's the film's uncanny resemblance to a snuff film, or at least, our collective imagination of what a snuff film would look like if they were real (the debate continues). The use of mannequins, plastic sheeting, duct tape, and harsh floodlights creates an atmosphere of depravity and impending violence. This feeling is amplified by Goldhaber and DP Isaac Bauman's choice to shoot on grainy 35mm film. Combined with DSLR footage, pixelated digital video, and 16mm clips from the original Faces of Death, the visual style creates a sense of forbidden viewing, effectively generating the unease expected from such a film.Goldhaber and Mazzei appear less interested in examining their own role in perpetuating a culture of violence through their filmmaking, which is understandable given the existence of films like Michael Haneke's Funny Games. Their focus is on a pursuit that has long been central to exploitation filmmakers: transforming controversial topics that most people avoid into unsettling, morally ambiguous entertainment. If this movie failed to leave you feeling the need for a shower, it would be a disappointment. Fortunately, the unsettling "ick factor" is very much present.Faces of Death, from Shudder and Independent Film Company, premieres in theaters on April 10. This article is provided by a third-party content provider. SeaPRwire (https://www.seaprwire.com/) makes no warranties or representations regarding its content. Category: Top News, Daily News SeaPRwire provides global press release distribution services for companies and organizations, covering more than 6,500 media outlets, 86,000 editors and journalists, and over 3.5 million end-user desktop and mobile apps. SeaPRwire supports multilingual press release distribution in English, Japanese, German, Korean, French, Russian, Indonesian, Malay, Vietnamese, Chinese, and more.

Amazon MGM(SeaPRwire) -   Cosplay has long been an art form, stretching back to the costume parties of decades past. But there’s a clear difference between putting together a cosplay outfit by buying or sewing pieces, and hand-knitting or crocheting a garment that perfectly matches what you see on screen. From Althea Crome’s intricate microknit sweaters for Coraline to the iconic Knives Out sweater that earned the nickname “Handsome Chris,” fiber arts lovers spend months reverse engineering and recreating the already incredibly labor-intensive hand-knit pieces they spot on screen. For one committed knitter, work on the viral fox sweater from the new sci-fi blockbuster Project Hail Mary began even before the movie hit theaters.“I love knitting pieces I see in movies and TV. My biggest project to date is the Oaken sweater from Frozen, for which I designed the full pattern chart,” reproduction knitter Harmony Leiker tells Inverse. “I also happen to be a huge fan of Project Hail Mary. I read the book about a year ago, and I absolutely loved it. So when the first trailer dropped in October 2025, I recognized this sweater right away because I’d seen the base pattern before.”“Right away I thought, ‘I’m going to bet this sweater will be a huge hit, I’m going to bet the movie is good, and I’m going to bet it’s visible for a good chunk of the film. I’m just going to bet on all of it, and I’m just going to go ahead and make this sweater.”A few months later, she had a fully finished garment ready to wear when she went to see the film at her local cinema. Unfortunately for Project Hail Mary fans who don’t knit, this sweater isn’t currently available to buy as a finished, ready-to-wear piece. However, if you’re willing to learn a few new crafting skills, you can still make this sweater your own. Below is everything you need to know to craft the sweater, including exclusive tips from the first fan who ever made it. How To Make The Project Hail Mary SweaterWhen Leiker spotted the pattern in the trailer, she knew exactly where to start: Mary Maxim’s 1950s pattern for a “Wolf Cardigan,” with swapped colors that turn the wolves on the front and back into foxes. The base pattern only costs $8 to buy from the Mary Maxim website, but tweaking this vintage pattern to match the on-screen sweater exactly is a bit more complicated. If you compare the original pattern and the movie sweater side by side, there’s one major difference: The animals on Ryland Grace’s sweater look far less intimidating, with bigger eyes and no extended tongue sticking out. Leiker noticed this gap, but didn’t know exactly how the patterns differed — she knit the sweater following the original pattern first, planning to adapt it later. It wasn’t until Project Hail Mary costume designer Glyn Dillon shared an Instagram post about the sweater that Leiker could adjust the colorwork to perfectly match the film version. Harmony Leiker’s finished Project Hail Mary fox cardigan. | Harmony LeikerAccording to Dillon, the design change came at the suggestion of Ryan Gosling himself. “Ryan came in with an unexpected suggestion … He’d been staying in London and had spotted our urban fox population around the city … A lot of Londoners consider them pests, but I’m more inclined to agree with Ryan; they’re special, and it’s always a bit magical when you spot one crossing your path at night,” he wrote. “So he asked if we could change the wolves to foxes. We were extremely tight on time, but this was also a chance to adjust the faces and the bloodred footprints.” Mary Maxim now sells a “Project Hail Mary version” of the original Wolf Cardigan, but it’s only available as a $90 kit that includes all required supplies, and it’s currently temporarily sold out. But don’t worry, there are other workarounds if you’re willing to put in a little extra crafting effort.How To Make The Project Hail Mary Sweater Without The KitAs Leiker’s own finished sweater proves, you can make this garment using the original vintage pattern with just a small amount of adjustment. “Overall, the construction of this sweater isn’t actually difficult,” she says. “It’s made in separate pieces, so you do have to sew all of the pieces together at the end — it’s not knit in one single piece.” Many modern, popular hand-knit sweaters are knit from the top down in one go, which makes construction much simpler, but this sweater is knit in separate panels that are then stitched together, which is definitely more labor-intensive. It also requires adding a zipper, which is a daunting task even for the most experienced knitters. The pattern included in the official kit is much more detailed, but if you’re using the original vintage pattern, you’ll run into another issue: navigating vintage knitting instructions. “Vintage patterns have very sparse directions,” Leiker says. “It’s literally just, like, ‘Sew it together.’ All you get is a picture of the different pieces of the sweater.” She also notes that the kit is more convenient simply because it includes the perfect yarn for the project. If you’re sourcing your own yarn, she suggests picking something with “a bit of tooth.”But don’t let that scare you off from trying. “I’m the type of person who takes on projects that are beyond my current skill level, and I jump right in and figure them out as I go,” Leiker says. “I started with a hat and then immediately made a sweater.” (Sidenote: This writer is the exact same way; I started knitting with a 30-foot-long Doctor Who scarf about 15 years ago and have worked almost exclusively on vintage projects ever since.) “It’s not the easiest project in the world. So I’d say this is a project for a very dedicated beginner. A very ambitious beginner project.”The most challenging part of the project is the colorwork, which combines stranded colorwork — where extra yarn is held behind active stitches — and intarsia, where yarn is carried to the spot it’s needed next. But sharp-eyed fans have already posted more screen-accurate colorwork charts on Ravelry, so you won’t have to squint at blurry movie screenshots to get the pattern right. We’re living in an era where knitting is more accessible than it’s ever been before. Whereas in the past, you’d have to consult a book or an in-person teacher to learn different stitches and techniques, today almost any question you can think of can be answered with a YouTube tutorial or a Reddit post. The knitting community is also one of the most open crafting communities in the world — if this project is your first entry into knitting, you may just have stumbled onto a brand-new favorite hobby. Project Hail Mary is now playing in theaters. This article is provided by a third-party content provider. SeaPRwire (https://www.seaprwire.com/) makes no warranties or representations regarding its content. Category: Top News, Daily News SeaPRwire provides global press release distribution services for companies and organizations, covering more than 6,500 media outlets, 86,000 editors and journalists, and over 3.5 million end-user desktop and mobile apps. SeaPRwire supports multilingual press release distribution in English, Japanese, German, Korean, French, Russian, Indonesian, Malay, Vietnamese, Chinese, and more.

Paramount Pictures(SeaPRwire) -   Guilty or innocent? Courtroom dramas build tension as they race toward one of these two unavoidable conclusions—whether through shocking new evidence coming to light, testimony being systematically torn apart, or an unforeseen witness taking the stand, all of which could shift the outcome. Gregory Hoblit’s 1996 thriller Primal Fear is full of clever legal twists, but it saves its most explosive reveal for after the verdict is handed down.“There’s just one truth—my version, the one I plant in the minds of the 12 jurors,” declares Martin Vail (Richard Gere), a high-profile Chicago defense lawyer, early in the film (which is based on William Diehl’s 1993 novel). But by the movie’s conclusion, Vail turns out to be the unknowing victim of this very tactic.Vail’s newest client is 19-year-old Aaron Stampler (Edward Norton), an altar boy caught running from the site where a beloved Archbishop was murdered and mutilated. Aaron claims he just stumbled onto the crime scene, had one of his typical blackouts, and woke up covered in blood. Frightened by the sound of sirens approaching, he fled.Our initial view of this youthful, baby-faced teen is one of innocence and fragility. When authorities find him, he’s curled up in a fetal position. He’s gentle and unassuming, and his soft Southern drawl evokes the image of a small-town Kentucky boy lost in a harsh urban environment. The film emphasizes this portrayal by showing Martin walking past intimidating, bearded criminals on his way to see Aaron—making the teen seem even more childlike in comparison. And when the skeptical prosecutor Janet Venable (Laura Linney) teases Aaron about his stutter, it makes viewers root for him.Eventually, a video emerges showing the Archbishop forcing Aaron, his girlfriend, and another young boy into sexual activity. This not only gives a motive for the crime but also makes the boy more sympathetic—he’d been threatened with being homeless if he didn’t go along. He complied until he finally snapped and killed his abuser… or so his alternate personality did, at least.Norton is memorable in his debut. | Paramount PicturesPrimal Fear’s first major twist comes with the arrival of Roy—an aggressive, verbally and physically abusive persona who appears when Aaron has a blackout under pressure. Roy is a stark contrast to the shy teen we’ve grown accustomed to: he stands taller to look more intimidating, pushes Martin against a wall to invade his personal space, and calls him “boy” as if he’s dismissive of Martin’s authority. According to the neuropsychologist (Frances McDormand) assessing Aaron, the reason he can’t remember the murder is that Roy did it. She determines Aaron has Multiple Personality Disorder, caused by years of childhood abuse, and that he’s not a ruthless killer—just a traumatized kid who needs support.In a last-ditch effort to win the case, Martin puts Aaron on the witness stand, knowing Janet’s aggressive cross-examination would trigger Roy to come out. Roy does just that—shouting curse words, grabbing Janet, and threatening to break her neck. The judge calls for a mistrial and rules Aaron not guilty by reason of insanity. Instead of facing possible execution, Aaron will be sent to a psychiatric facility for assessment, therapy, and eventual discharge.Martin tells Aaron the news, and the grateful teen shares a warm moment with his lawyer. It seems the teen’s horrific ordeal is finally over—until he makes a mistake. He apologizes for hurting Janet’s neck, a detail he shouldn’t know if, as he claims, he has no memory of Roy’s actions. So who exactly has Martin been dealing with all this time?Vail studies the case. | Paramount PicturesCourtroom dramas depend on how a case is presented—facts may be unchangeable, but how people see them is shaped by the flexible stories built around those facts. For the cunning Aaron, this meant putting on an intricate act (one that earned Norton the Golden Globe for Best Supporting Actor in his first film role). There was never any alternate personality.This is a devastating shock for Martin, who’d long chosen to ignore whether his clients were truly guilty, focusing solely on doing his job. Now, this intentional ignorance has kept him from seeing the truth. It’s not that Roy wasn’t real—it’s that Aaron was the fake. The clumsy, timid persona was just a mask for a cruel, sadistic teen, who now admits he also killed his girlfriend. Thanks to attorney-client privilege, his crime will never be made public, even though he accidentally revealed it.The film references a quote from The Scarlet Letter: “No man, for any considerable period, can wear one face to himself and another to the multitude without finally getting bewildered as to which may be the true.” But Aaron had no problem telling them apart. He’d been fooling Martin the whole time—and if the film’s lasting spot on lists like The 10 Craziest Movie Plot Twists of All Time is any indication, he fooled all of us too.Primal Fear is available to stream on Fubo. This article is provided by a third-party content provider. SeaPRwire (https://www.seaprwire.com/) makes no warranties or representations regarding its content. Category: Top News, Daily News SeaPRwire provides global press release distribution services for companies and organizations, covering more than 6,500 media outlets, 86,000 editors and journalists, and over 3.5 million end-user desktop and mobile apps. SeaPRwire supports multilingual press release distribution in English, Japanese, German, Korean, French, Russian, Indonesian, Malay, Vietnamese, Chinese, and more.

Warner Bros TV/Kobal/Shutterstock(SeaPRwire) -   Space rebellions are nothing new. Long before Star Wars taught a generation that joining the Rebel Alliance could make you a hero, Robert A. Heinlien’s Revolt in 2100 told the story of humanity rising up against a dictatorship. Meanwhile, the iconic Doctor Who serial “The Dalek Invasion of Earth” (later remade as the 1966 film Invasion Earth: 2150 A.D.) proved that humans fighting against invading alien forces could be just as thrilling as they were terrifying. But what if Earth itself was the enemy? What if humanity turned on its own people? Technically, every conflict in the original Star Wars is a civil war, but the dynamic feels far different when the opposing sides are Earth versus the rest of the galaxy.In April 1996, over the first week of the month, Babylon 5 Season 3 aired its then-most pivotal installment yet. The civil war between Earth and its colonies had been simmering for some time, but in “Severed Dreams,” the show’s central characters made the active choice to secede from Earth—an act that completely redefined what a weekly sci-fi television series could achieve.An Earthforce destroyer under attack during Babylon 5’s “Severed Dreams.” | Warner BrosAs has been thoroughly covered elsewhere, Babylon 5 was a trailblazer for primetime television serialization, particularly within sci-fi series. Plot threads first referenced in Season 1 of Babylon 5 paid off massively in Season 3 and beyond. One such thread was the revelation that the death of Earth President Santiago at the end of Season 1 was not a genuine accident, but rather part of a coup orchestrated by then-Vice President Clark. By the midpoint of B5 Season 3, during “Severed Dreams,” Clark’s authoritarian rule had pushed multiple Earth Alliance factions into open rebellion—a plot that had previously been kept under wraps. A key underlying throughline here is that Clark’s unconstitutional seizure of power on Earth is only one piece of a broader intergalactic conflict: an ancient alien race known as the Shadows is amassing dark forces during this period. Oddly enough, the moment Babylon 5 breaks away from the Earth Alliance frees up the rest of Season 3 to focus on the fight against the Shadows across both time and space.This does not mean the decision for B5 to secede from Earth was treated as a trivial matter in this episode—far from it. In fact, when Captain Sheridan (portrayed by Bruce Boxleitner) declares the space station an independent nation, the moment was utterly shocking at the time, as no other sci-fi franchise had ever attempted something similar. Sheridan’s announcement that B5 was no longer part of Earthforce would be comparable to Picard (Patrick Stewart) leaving Starfleet in Star Trek: The Next Generation, or Sisko (Avery Brooks) joining the Maquis in Star Trek: Deep Space Nine.“Severed Dreams” approaches this moment with the appropriate weight, reminding audiences that in a real civil war, personal tensions and complications would surface extremely quickly. Early in the episode, Major Ryan (Bruce McGill) laments a victory over an enemy vessel, admitting he personally knew the captain of the ship that had just been destroyed. Ahead of a planned communications blackout between B5 and Earth, Sheridan shares a heartfelt, quick video call with his father. (It’s worth noting that Sheridan’s dad is played by Rance Howard—the real-life father of Ron and Clint Howard—delivering a warm, standout performance in the first of three Babylon 5 guest appearances.)Nowadays, “Severed Dreams” is most widely recalled for its final act, where Delenn (the beloved late Mira Furlan) arrives leading a fleet of Minbari ships to turn the tide of the Earthforce assault on B5. Delenn’s iconic line to the Earth vessels is, “If you value your lives, be somewhere else.” What many fans overlook, though, is that Delenn’s entire arc in this episode is about demanding others step aside: the only reason she has the firepower to aid B5 by the episode’s end is that she forced the Grey Council to get their act together earlier on. Once more, Babylon 5 was pushing creative boundaries, and by upending familiar tropes, Delenn’s decision to dissolve the Grey Council is analogous to the Babylon 5 take on telling every Elf in The Lord of the Rings to stop lingering on the sidelines and ordering others to destroy the One Ring. “Severed Dreams” isn’t just about B5 leaving the Earth Alliance—it’s also about strengthening the makeshift alliance between various species in their broader fight against the Shadows.It goes without saying that “Severed Dreams” is a blockbuster battle installment: there are space combat sequences outside the station, plus an on-site siege where B5’s human security forces team up with the Narn to fight other humans. The Narn, who had been conscripted into service just a few episodes earlier, are fighting and dying alongside humans to safeguard the space station’s overall sovereignty. This is heavy, unflinching storytelling, especially compared to other sci-fi series of the era. Though the episode wraps with a tactical win for the crew, show creator J. Michael Straczynski did not want viewers to walk away feeling overly triumphant. In 1996, Straczynski explained, “I hate leaving the audience feeling cocky,” and noted that many other series of the time would have faded out right after Sheridan ordered all ships to return to base.But Babylon 5 showed viewers what happens next: bloodied, wounded humans and Narn on both sides of the conflict gasping for air and fighting to survive once the gunfire stops. The next episode finds Sheridan and his crew grappling with whether they even have a right to keep wearing their old Earthforce uniforms. This concept sparked a subtle creative shift for the series, but in that final moment of “Severed Dreams,” the episode aims to remind audiences that space rebellions are not glamorous—they are deadly, serious affairs.Babylon 5 can be rented or purchased via Apple TV, Prime Video, and other streaming platforms. This article is provided by a third-party content provider. SeaPRwire (https://www.seaprwire.com/) makes no warranties or representations regarding its content. Category: Top News, Daily News SeaPRwire provides global press release distribution services for companies and organizations, covering more than 6,500 media outlets, 86,000 editors and journalists, and over 3.5 million end-user desktop and mobile apps. SeaPRwire supports multilingual press release distribution in English, Japanese, German, Korean, French, Russian, Indonesian, Malay, Vietnamese, Chinese, and more.

Apple TV(SeaPRwire) -   The alternate timeline show For All Mankind is currently set in a 2012 that’s not our own—one where a Mars outpost is a daily reality, and humanity is striving to venture deeper into the solar system. However, the main plot of the first two episodes of For All Mankind Season 5 centers on whether Lee Jung-Gil (C. S. Lee) is guilty of murder, and if his fellow Mars residents plan to break him out of space prison. Meanwhile, Kelly Baldwin (Cynthy Wu) is advocating for a crewed mission to Titan to check for potential signs of life. In the middle of all this chaos, Ed Baldwin (Joel Kinnaman) says to Kelly and Alex (Sean Kauffman), “Sometimes you’ve got to roll the hard six.”The episode itself is titled “The Hard Six”—a phrase that’s popped up in For All Mankind before. But sci-fi fans will recognize that this line actually comes from the rebooted Battlestar Galactica, co-created by Ronald D. Moore, who’s also a co-creator of For All Mankind. It’s a neat Easter egg, and it fits FamK just as well as it does BSG—but is there a deeper connection here? Could For All Mankind’s alternate history be a continuation of Battlestar’s timeline?Spoilers ahead.Battlestar Takes Place in the Distant Past Mary McDonnell as Laura Roslin and Edward James Olmos as Admiral William Adama in Battlestar Galactica Season 3. | NBC/NBCUniversal/Getty ImagesLike the original 1978 series, Battlestar Galactica isn’t set in the future—it’s set in our past, telling the story of humans who evolved independently, away from our Earth. The original canon (including Galactica: 1980) had the Galactica crew finding a modern-day Earth, but the more popular reboot ended with the fleet’s survivors settling on a prehistoric Earth. BSG’s finale implied that humans evolved from both humanoid Cylons and regular humans, hinting that a panspermia event was the source of all life on Earth.To date, For All Mankind hasn’t explored artificial, synthetic life forms like the Cylons, but we’ve known since Season 1 that it’s set in an alternate timeline. The question is: Could For All Mankind be Battlestar Galactica, but millions of years down the line?In the Season 1 Battlestar Galactica episode “The Hand of God,” Adama (Edward James Olmos) utters the line, “Sometimes you gotta roll the hard six.” There, he’s referring to the fleet’s attempt to capture a Cylon base with far superior firepower. In that scene, the phrase is treated as a common saying—after all, rolling a six in dice is both difficult and risky. But is this phrase as widely recognized in For All Mankind? For All Mankind Could Be a Low-Key Battlestar Sequel Generations of Baldwins, rolling the hard six. | Apple TV+The scene in For All Mankind’s “The Hard Six” episode is packed with other show-specific Easter eggs. Ed, Alex, and Kelly are having a family pasta dinner, and Ed is heaping cheap, store-bought Parmesan onto his plate—a habit first shown in Season 2 when he, Kelly, and Karen dined at the Outpost restaurant. Back in Season 4, when Alex was a little kid, Ed tried to get him to like this cheese, but Alex wasn’t interested. Now, Ed’s the only one using it, which is a funny nod to everyone thinking he’s odd for favoring the inexpensive brand.Everyone’s used to Ed’s quirks, but when he says, “You’re a Baldwin—when things get rough, you roll the hard six!” Alex replies, “Roll the what?”It’s a lighthearted moment, but given that Battlestar established that many modern Earth words, phrases, and even a Bob Dylan song have roots in the distant past, it’s not a stretch to think: The phrase “roll the hard six” is part of Ed’s subconscious because he, like other humans in the FamK timeline, are descendants of the Battlestar humans.That being said, when Inverse asked Ronald D. Moore directly in 2021 if he could imagine a crossover between Battlestar and For All Mankind, he responded: “I mean, if I ever think about that kind of thing, the stray thought is like how could I have crossed certain Battlestar characters in Star Trek. It was something I did think about during Battlestar...But I always thought of it in terms of the multiverse.”So even though that answer feels like a denial, and the “hard six” is likely just a fun Easter egg, it’s still plausible that some version of Battlestar is part of For All Mankind’s backstory—if not in this universe, then in another alternate timeline we haven’t seen yet. We’re not claiming Ed Baldwin is a Cylon, but we might just be encouraging fan fiction that says he is. So say we all?For All Mankind streams on Apple TV. This article is provided by a third-party content provider. SeaPRwire (https://www.seaprwire.com/) makes no warranties or representations regarding its content. Category: Top News, Daily News SeaPRwire provides global press release distribution services for companies and organizations, covering more than 6,500 media outlets, 86,000 editors and journalists, and over 3.5 million end-user desktop and mobile apps. SeaPRwire supports multilingual press release distribution in English, Japanese, German, Korean, French, Russian, Indonesian, Malay, Vietnamese, Chinese, and more.

(SeaPRwire) -   After a four-year break, Peaky Blinders returned with renewed vigor. In the installment titled Peaky Blinders: The Immortal Man, Cillian Murphy, now an Oscar winner, reprised his role as former crime boss Tommy Shelby for a final time. He was depicted as a man consumed by grief, desperately attempting to chronicle his life story before it was too late. However, when his son, Duke Shelby (portrayed by Barry Keoghan), entered into an agreement with Nazi sympathizers to destabilize the economy, Tommy was compelled to once again assume his iconic flat cap.While The Immortal Man brought a definitive close to Tommy’s narrative, Duke’s journey has just commenced. He is set to be the central figure in a new sequel series, which Netflix announced late last year. However, the streaming service has just revealed a significant alteration: a different actor will now portray Duke.Jamie Bell’s Duke Shelby swaps a flat cap for a 1950s fedora in the Peaky Blinders sequel series. | NetflixNetflix recently unveiled a first look at Jamie Bell in the role of Duke Shelby for the as-yet-unnamed Peaky Blinders sequel series. Bell, recognized for his starring role in the 2000 film Billy Elliot and as Ben Grimm in the critically panned 2015 movie Fantastic Four, will embody Duke in 1950, set in the post-WWII era.Netflix’s official announcement states, “The effort to reconstruct Birmingham transforms into a brutal struggle of epic proportions. This is a city brimming with unparalleled prospects and perils. At its violent core stands Duke Shelby (Jamie Bell): more mature, more astute, more ambitious, and undeniably more formidable.”The chronological leap between The Immortal Man and this upcoming sequel series serves multiple purposes beyond simply facilitating the transition from Keoghan (whose packed schedule might preclude a full TV series commitment) to Bell. It also conveniently bypasses a period that might not offer the most compelling narrative for a show of this nature. While The Immortal Man confronted historical realities by opening with a scene in a concentration camp, this sequel series will jump directly into the reconstruction era.Bell takes on the role of Duke Shelby from Barry Keoghan, who played the role in Peaky Blinders: The Immortal Man. | NetflixNetflix is investing heavily in this series, having already commissioned two six-episode seasons. The supporting cast is also robust, with Charlie Heaton from Stranger Things, Jessica Brown Findlay of Downton Abbey, and Lashana Lynch from Captain Marvel joining the ensemble. This truly marks Peaky Blinders: The Next Generation, though there is no current information on whether any characters from the original series will make an appearance.This series may feature a new title, a new lead actor, and a new historical setting, but audiences can anticipate the familiar Peaky Blinders intensity. With the series originating from Peaky Blinders creator Steven Knight, this is not a reboot; rather, it represents an evolution into a new era, both within the show’s universe and in the realm of streaming entertainment.Peaky Blinders and Peaky Blinders: The Immortal Man are currently available for streaming on Netflix. This article is provided by a third-party content provider. SeaPRwire (https://www.seaprwire.com/) makes no warranties or representations regarding its content. Category: Top News, Daily News SeaPRwire provides global press release distribution services for companies and organizations, covering more than 6,500 media outlets, 86,000 editors and journalists, and over 3.5 million end-user desktop and mobile apps. SeaPRwire supports multilingual press release distribution in English, Japanese, German, Korean, French, Russian, Indonesian, Malay, Vietnamese, Chinese, and more.

Hulu(SeaPRwire) -   The university experience is often defined by a quest for new sensations, which for many students involves experimenting with various substances. Whether it is a heavy reliance on caffeine or something more illicit, college is the quintessential time for such exploration.This makes the campus an ideal backdrop for coming-of-age stories, which focus on the pivotal moment when young adults begin to define their identities. While films ranging from Animal House to Pitch Perfect have utilized this setting, Pizza Movie—the first feature film from the comedy duo BriTANick (Nick Kocher and Brian McElhaney)—takes the concept to a new level.The narrative is straightforward: two roommates, the adventurous Jack (Gaten Matarazzo) and the high-strung Montgomery (Sean Giambrone), decide to cope with their problems by consuming mysterious pills that fell from their ceiling. They must then make their way downstairs to collect a pizza delivery before their deepest anxieties manifest. While the setup is simple, the execution is anything but; as the drugs take hold, the characters navigate various stages of a "trip," each utilizing different science fiction archetypes.The movie functions as an episodic journey through the complex social bonds of college life, told through the lens of familiar sci-fi and fantasy elements like time loops, body swapping, fourth-wall breaks, and more surprises that are best left unrevealed.“I was thrilled that a script this original actually exists and is being produced,” Gaten Matarazzo shared with Inverse. “My initial thought upon reading it was that it felt like the drug-trip sequence from 21 Jump Street expanded into a full-length feature, which was my favorite part of that film.”Beyond its comedic value, the film stands out as a technically impressive science fiction work. Each stage of the psychedelic journey adds depth to the narrative and maintains its own internal logic. Pizza Movie doesn't just add sci-fi elements to a comedy; rather, the sci-fi serves as a natural progression of the humor itself.“To push a comedic concept to its furthest limit, you often have to step outside of reality,” McElhaney explained to Inverse. “We decided to just embrace it—if making a character teleport makes a scene funnier, we do it. It allows the comedy to go exactly where it needs to.” This philosophy leads to scenarios involving a pizza-delivering robot voiced by Bobby Moynihan and resident assistants who operate as a high-tech secret police force.The lead actors are well-suited for such a genre-bending project. Matarazzo is a veteran of the genre, having spent a decade playing Dustin on Stranger Things. While he confirmed there are no plans for a secret follow-up to that series, he has his own ideas for future stories. “I’d love to see a Stranger Things bottle episode where the group is preparing for a mission,” Matarazzo noted. “They’d be ready to head into the Upside Down only to realize they forgot to get gas, similar to the Friends episode where they are stranded at a rest stop.”Gaten Matarazzo and Sean Giambrone star as two freshmen navigating a surreal night. | HuluGiambrone also has a connection to major sci-fi franchises, having appeared in promotional content for the Star Wars Galactic Starcruiser. Matarazzo reacted with playful jealousy when Giambrone described the experience of "punching" the hyperdrive at the immersive hotel before it closed, lamenting that he never had the chance to visit.This genuine passion for the genre is a core part of Pizza Movie. The young cast enjoys both celebrating and parodying fantastical tropes, such as a scene where characters are forced to reveal their secrets while trapped with an older RA played by comedian Caleb Hearon.“I’m sure there is a lot of footage of Caleb from that truth-telling scene that didn't make the final cut,” Giambrone remarked. Matarazzo added that he hopes the outtakes are eventually released, calling Hearon’s performance a "game changer."Sci-fi tropes are integrated throughout Pizza Movie, including a specialized delivery robot. | HuluDuring that sequence, the character Lizzy (Lulu Wilson) makes a shocking revelation about the contents of her purse. While the moment is absurd, Matarazzo noted it is based on a real-life story he heard from a friend. “I can’t wait for them to see the movie so I can remind them they did the exact same thing,” he said.Pizza Movie acts as a compilation of sci-fi's greatest hits, crafted by two sharp comedic minds. Every joke and callback is designed to be meaningful. “The more connections and callbacks we can include, the better,” Kocher told Inverse. “It’s a difficult writing process because the setup has to work on its own, but the payoff is very rewarding for the audience.”Much like a late-night pizza, the film is fresh, slightly indulgent, and highly satisfying, whether the viewer is looking for a stoner comedy or a wild science fiction journey.Pizza Movie is currently streaming on Hulu. This article is provided by a third-party content provider. SeaPRwire (https://www.seaprwire.com/) makes no warranties or representations regarding its content. Category: Top News, Daily News SeaPRwire provides global press release distribution services for companies and organizations, covering more than 6,500 media outlets, 86,000 editors and journalists, and over 3.5 million end-user desktop and mobile apps. SeaPRwire supports multilingual press release distribution in English, Japanese, German, Korean, French, Russian, Indonesian, Malay, Vietnamese, Chinese, and more.